Folkism in African Choral Music Performance: Cultural Expression and Identity in Leke Joel's Folk Cantata 370

Abstract

This research aims to explore the concept of folkism as a framework for analyzing African choral music performances, with a specific focus on Leke Joel's folk cantata titled "370" as a study. Folkism, characterized by the preservation and promotion of cultural traditions and heritage, serves as a lens to explore the cultural expression and identity embedded in African choral music. The study employs a combination of musicological analysis, ethnographic research, and critical interpretation to delve into the integration of traditional elements, including melodies, rhythms, vocal techniques, language, and performance structures, within the context of African choral performance. By analyzing the performance of Leke Joel's "370," this research aims to elucidate how folkism is manifested in the delivery of the musical performance, showcasing the ways in which performers engage with and embody the cultural heritage. Findings reveal that the cantata incorporates distinct African musical features, such as the use of call and response, and polyphony, creating a complex and dynamic musical texture. These elements contribute to the immersive nature of the composition, engaging the audience with the vibrancy of African musical traditions. In conclusion, this study emphasizes the importance of embracing compositions like Leke Joel's "370" Cantata, which celebrates African cultural heritage through music. It is therefore recommended that more African composers embark on similar journeys, creating compositions that promotes the continent's rich culture and ensure the continuity of African heritage for future generations.